Linda Sura
My journey into basketweaving began in 1986 with traditional materials, but it wasn’t long before my curiosity led me to explore beyond the expected. Over time, I began incorporating unconventional media such as watercolor paper, wire, beads, and other found objects, blending the line between craft and fine art.
Around the same time, I had also started exploring watercolor painting. One particular painting didn’t turn out as I had hoped—but rather than discard it, I saw potential in it. I decided to cut it vertically and experiment with weaving it using grosgrain ribbon. That unexpected combination sparked an idea that would become central to my process.
I began creating two watercolor paintings with the same outline or composition but altered color schemes. Once both were complete, I would cut one vertically and the other horizontally, then carefully weave them back together. This labor-intensive technique produces richly textured, layered images where color, form, and rhythm intersect in surprising ways.
I have taught at multiple state conventions and was highly regarded in the basketry community, as these events often feature skilled artisans sharing their techniques and knowledge. I have been published or noted in five basket books which further highlighted my contributions and expertise.
Around the same time, I had also started exploring watercolor painting. One particular painting didn’t turn out as I had hoped—but rather than discard it, I saw potential in it. I decided to cut it vertically and experiment with weaving it using grosgrain ribbon. That unexpected combination sparked an idea that would become central to my process.
I began creating two watercolor paintings with the same outline or composition but altered color schemes. Once both were complete, I would cut one vertically and the other horizontally, then carefully weave them back together. This labor-intensive technique produces richly textured, layered images where color, form, and rhythm intersect in surprising ways.
I have taught at multiple state conventions and was highly regarded in the basketry community, as these events often feature skilled artisans sharing their techniques and knowledge. I have been published or noted in five basket books which further highlighted my contributions and expertise.
